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The Best Men’s Oxford Boots To Buy In 2019

It’s one of the most underrepresented boots out there. Chances are you’ve never owned a pair. In fact, you might not even know the style exists. It’s a shame, though, because in spite of its relative obscurity the Oxford boot remains one of the most stylish, characterful and unapologetically British footwear styles a man can own.This is the type of boot you might have worn to stride around the streets of Victorian-era London; cane swinging beside you, handlebar moustache curled to perfection. Or to march around an early 20th-century country estate in; an open shotgun resting in the crook of your arm, as a team of gamekeepers frantically scramble around collecting the trail of dead poultry in your wake.Today, however, you don’t need to be a Victorian city slicker or a member of the landed gentry in order to pull this style off. The merging and melding of dress codes has granted this throwback silhouette a fresh lease of life, making it a valuable addition to any stylish man’s footwear rotation.Here we take a look at the fundamentals of menswear’s most underrated boot, including what to buy and how to wear it.BerlutiWhat Are Oxford Boots?Unsurprisingly, the Oxford boot is a high-ankle variation of the Oxford shoe. Like it’s less lofty counterpart, its main identifier is the fact that it has what is known as a closed lacing system. This means simply that the eyelets are stitched together at the bottom, giving the boot a more streamlined, formal look.You may also hear this style referred to as a Balmoral boot, so called because it was designed for Prince Albert to use on his country estate of the same name. However, a Balmoral boot often features two different materials for the main body of the shoe and the upper part. Most commonly leather and suede, respectively. Oxford boots in general, however, can be made from one or many materials. Most commonly leather.GrensonHow To Wear Oxford BootsContemporary TailoringOne way to bring this historic style up to date for the 21st century is to wear it with contemporary tailoring. That means a big no to spats and pocket watches, and a big yes to trend-led tweaks and modern cuts.Take a classic grey two-piece in a slim fit, for example. In place of a shirt, opt instead for something like a rollneck jumper or a knitted polo, and accessorise by simply not accessorising at all. This will still look smart, but also adds a little touch of modernity to proceedings, balancing out the boots’ heritage feel.Smart-CasualOxford boots were built with leisuretime in mind, and while you may not be spending your weekend shooting grouse in Aberdeenshire, a pair of these country classics can still see you right on your time off.For a simple smart-casual look, team dark indigo denim with a black pair of Oxford boots, dark knitwear and a tonal jacket. A suede bomber jacket or wool overshirt would work well.Black TieOf all the dress codes out there, black tie leaves the least amount of room for interpretation. That could be a good thing depending on how confident you are styling yourself in formalwear, but if you like to let a little bit of personality shine through it can be tricky.That’s where the Oxford boot can come in. Naturally, a patent leather Oxford shoe is the traditional choice for black-tie attire. However, opting instead for a simple, minimalist Oxford boot is a subtle way to make the look your own without flouting the rules.The Best Oxford Boots BrandsGrensonIt doesn’t take a footwear connoisseur to recognise a pair of Grensons when they see one. Since 1866, this much-loved Northamptonshire shoemaker has been making footwear as packed with personality as it is high in quality. Expect a combination high-end manufacturing techniques, like Goodyear welting, combined with contemporary twists like wedge soles and playful broguing.Buy Now: £265.00CheaneyWorking out of the same Victorian red-brick factory for more than 130 years, Cheaney’s skilled shoemakers have excelled in creating some of the finest, traditional, bench-made shoes and boots the British Isles has ever known. Smart, elegant, beautifully made, and with lofty price points to match.Buy Now: £425.00George CleverleyWith a list of customers past and present that includes David Beckham, Sir Winston Churchill and Ralph Lauren, luxury British shoemaker George Cleverley is no stranger to catering for expensive tastes. With a pair of handmade boots fetching anywhere up to £800, a pair of Oxford boots from this esteemed label might not be for everyone. Still, if you’ve got the money and are in the market for a pair, there’s nowhere finer to buy your winter boots.Buy Now: £725.00Crockett & JonesFrom contributing to the British war effort in the 1940s by supplying over one million pairs of officer’s boots, to making footwear for James Bond himself. Crockett & Jones’ impressive company resume is something for all other shoemakers to aspire to. Specialising in handmade, Goodyear-welted boots since the 1800s, this is a brand whose experience truly justifies its premium price tags.Buy Now: £595.00Shipton & HeneageShipton & Heneage may not be one of the best-known brands in British bootmaking, but it is one of the most reasonably priced. After all, where else could you pick up a pair of beautiful, leather-soled Balmoral boots for less that £200? If it’s British-made footwear and fair prices you’re after, there are few better equipped to deliver the goods.Buy Now: £199.00BodileysA century ago, Bodileys began to establish itself as one of the leading footwear retailers in England’s shoemaking capital of Northampton. One hundred years on, and it’s now also a successful footwear manufacturer in its own right. In 2008, the company launched its first in-house line, the London Collection: a range of high-quality, classic shoes and boots that can take as long as eight weeks each to complete.Buy Now: £380.00Crownhill ShoesYou may not have heard of Spanish footwear brand Crownhill, but they’re one of the few labels for which the Oxford boot is a signature piece. Most shoemakers might have one or two options in this style, where Chrownhill has a sprawling collection. Every pair is painstakingly handcrafted in Madrid and with prices starting at around €300, it’s actually one of the cheaper brands When it comes to this particular style of boot.Buy Now: 250.00 Euro



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CHEER UP

A Guide to Getting The Most Comfy Look



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SHANE DOE
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Paris Fashion Week
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Shoot For The Stars
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The post A Guide to Getting The Most Comfy Look appeared first on Fashion.



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BEAUTY

Countdown’s Rachel Riley takes swipe at Jeremy Corbyn with t-shirt slamming the Labour leaders views on anti-Semitism



COUNTDOWN star Rachel Riley took aim at Jeremy Corbyn by wearing a t-shirt slamming his views on anti-Semitism in the Labour party.
The Labour leader has faced severe backlash after he was accused of failing to deal with the problem – despite him claiming he had “taken action”.
5 Rachel Riley was seen wearing a T-shirt saying ‘Jeremy Corbyn is a racist endeavour’, before the debateCredit: BackGrid5 Corbyn and Labour have been embroiled in an anti-Semitism rowCredit: EPAPregnant Rachel led the outrage when she was pictured covering her baby bump in a T-shirt saying: “Jeremy Corbyn is a racist endeavour”.
The phrase is a reference to a series of posters that appeared in London describing Israel as a racist endeavour.
Corbyn’s leadership has been dogged by allegations of anti-Semitism in the party – with MPs quitting in protest and a criminal investigation into hate-crime launched.
The Jewish TV star was leaving the ITV studios in Salford, Greater Manchester, as Corbyn was entering to go head-to-head with Boris Johnson in last night’s debate.
ANTI-SEMITISM ROW
Ex-Strictly star Rachel has been a vocal critic of Corbyn and anti-Semitism within the Labour party.
She has been attacked by left-wing trolls in the past after sharing links which criticised the PM candidate.
In September, we revealed Corbyn supporters called the star “shallow and mendacious”, but she refused to join them in a slanging match.
Corbyn was last night embroiled in another row over anti-Semitism when Boris accused him of a failure of leadership over the issue.
The highlights of the TV debate
NEVER FOR SALEBoris: “Under no circumstances whatsoever would any Conservative government put the NHS on the table! Our NHS will never be for sale.”The furious PM raged at the leftie boss and insisted he was never putting the NHS at risk.
FAILURE OF LEADERSHIPThe PM accused Jeremy Corbyn of a failure of leadership over anti-Semitism and said he had been a “complete failure” to handle the issue.The audience laughed as Mr Corbyn claimed to tackle anti-Jew hate in the party
MAGIC MONEY TREESHost Julie Etchingham jokingly asked: “Have you found a magic money tree, Mr Johnson?”Have you found more than one of them, Mr Corbyn?”Johnson then jumped in, saying: “A money forest he’s got.”
MONARCHYCorbyn was booed by the audience when he said the monarchy “needs a bit of improvement”.
UNION BREAK UPAsked if the union more important than Brexit, yes or no, Mr Corbyn responded: “Our country is obviously very very important and we have to bring this business to a close.”Mr Johnson answered: “The union is of course the most important thing. And it’s a fantastic thing.”

The audience even laughed when Corbyn claimed he had tackled anti-Jew hate in the party.
Corbyn said: “Anti-Semitism is an absolute evil and scourge within our society.
“I have taken action in my party, where anyone who has committed any anti-Semitic acts or made any anti-Semitic statements, they are either suspended or expelled from the party and we’ve investigated every single case.
“We do take this very seriously indeed.”
David Baddiel also waded in on the row today by tweeting “every Jew noticed” as the Leftie boss mispronounced Jeffrey Epstein’s name.

LatestGRAND DOLE DUKE Prince Andrew quits royal duties and offers to help Epstein scandal cops AIR PANIC ‘Air rage’ passenger, 26, ‘who tried to open Jet2 plane door’ sobs at court dr no way Andrew’s ex Victoria Hervey says Ghislaine is like Bond villain & won’t be found WarningHOLEY HELL The horrific effects of cocaine eroding giant holes in roof of your mouth CITIZEN’S ARREST ‘Have-a-go hero’ held after putting ‘man breaking into cars’ in hospital PARK SEX ATTACK Woman raped in park while two men stood and watched in ‘despicable attack’ The comic shared a tweet during the ITV debate that questioned: “does calling him “EpSHtein” make him sound more Jewish?”
Epstein is normally pronounced as it is written, while critics said Corbyn used a “Germanic twist”.
The party leaders went head-to-head in their first televised debate last night, with Boris Johnson narrowly winning.
5 Rachel has been a staunch critic of Corbyn’sCredit: BackGrid5 The PM went head to head with Jeremy Corbyn in a live clash last nightCredit: PA:Press Association5 The leaders posed with ITV host Julie Etchingham before the big clashCredit: ITVAudience laugh when Jeremy Corbyn claims to tackle anti-Semitism



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LIFE STYLE

Johanna Weiermann Guest Lecture | Ethical Consumption



14 Dec MARKETING DIRECTOR JOHANNA WEIERMANN RETURNS TO GCU LONDON TO DELIVER POWERFUL LECTURE ON ETHICAL CONSUMPTION

Posted at 16:52h
in News
by British School of Fashion

By Beatrice Buschittari (MSc Fashion and Lifestyle Marketing)
 
On Friday December 7th 2018, the students from the British School of Fashion were able to attend a presentation by former GCU student and marketing expert Johanna Weiermann.
Having graduated with distinction from the MSc International Fashion Marketing programme at the British School of Fashion in 2016, Johanna went on building her career in Marketing and is now Global Marketing Director at 180 Degrees Consulting in Austria.
Johanna (Right) graduated in 2016 from MSc International Fashion Marketing
During her presentation, she focused on a topic she holds dear since the days of her final dissertation: ethical consumption in fashion and lifestyle.
On a Design point of view, she talked about copyright, inclusion and animal-based products: extremely delicate issues that need to be taken into consideration when developing a marketing plan and placing a new campaign in today’s hypersensitive society.
Worth mentioning are the recent mistakes made in terms of cultural appropriation and racism embodied by the latest Dolce and Gabbana campaign, which caused viral international backlash and climaxed in the withdrawal of the brand’s products from many Chinese retailers and Victoria’s Secret misuse and glamorization of traditional cultural costumes on the catwalk over the years.
Johanna also brought up interesting examples in terms of Sizism and Genderism, tracking down the history of pockets in female trousers (no, they should not be taken for granted!) and shining a light on the fact that female clothes have often a premium price just for being pink if compared to their counterpart version targeted to men.
On the Marketing front, Johanna talked about the changes that are having the strongest impact on the fashion industry, pointing out solutions for the raising overconsumption issue. The fact that trends in their ephemeral essence are considered to be out-dated might lead people to opt for “evergreens” that last through seasons as opposite to fast-fashion and this, combined with circular economy and the zero waste initiatives proposed by trailblazer brands like Patagonia, might help bring awareness and defeat hyper-consumerism.

Johanna then went on talking about marketing examplesof advertisements targeting sensitive people or excluding certain clusters of consumers: too often vulnerable audiences can be deceived by misleading slogans and too often the lack of a mirrored reference in society can lead to the normalization of certain taboos and end up in social ostracism.
Despite these issues being still too contemporary, things have been shaken up a little in the past couple of years: more and more brands are promoting inclusive ideals while also embracing a full-disclosure and total transparency approach and, although some people may consider activist slogans on t-shirts and boycott campaigns as a smart marketing move rather than real concern, they certainly start a conversation and perfectly encapsulate the trending call to action that has been echoing all over the world.
With her presentation, Johanna has given the students some food for thought and has raised ethical questions that resonate widely in today’s society.
By sharing her personal experience and path, she also gave career inputs that were most definitely needed and appreciated by all.



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BRAND COLLABORATION

Quand la mode et le monde virtuel ne font qu’un

Quand la mode et le monde virtuel ne font qu’un

Plus que jamais inspirés par le monde virtuel, les créateurs de mode tentent aujourd’hui de nouvelles expériences numériques, fusionnant réalité et images de synthèse. On se souvient des collaborations de Dior et de l’avatar Noonoouri ou bien celle de Louis Vuitton et des personnages de Final Fantasy. La mode s’approprie désormais un nouveau monde, aux possibilités infinies.

Le siècle de tous les possibles
Notre époque est sans aucun doute source de grandes innovations technologiques. Toujours plus d’objets fonctionnels et connectés, fibres révolutionnaires, formes avant-gardistes… les secteurs automobile, design, high-tech ou même textile entrent dans l’ère du futur. Comme si les films de science-fiction devenaient tangibles, la frontière entre mondes réel et virtuel s’estompe peu à peu, inspirant de nombreux créateurs de mode.

Selected by PROMOSTYLQuand le réel rencontre le virtuel
Après le défilé d’hologrammes signé Ralph Lauren en 2014, la réalité augmentée a pris, au fil des années, une nouvelle dimension. Exemple flagrant : de plus en plus nombreux, les instagrammeurs fictifs tendent à détrôner les humains. Créée par Sarah Decou et Trevor McMedrief en 2016, Lil Miquela est sans aucun doute l’un des plus connus. Façon Kylie Jenner ou autre millenial influent, cet avatar brésilien multiplie les selfies, collabore avec des marques de luxe, fait la promotion de produits cosmétiques et créé ses propres morceaux disponibles via Spotify. Avec ses 1,7 millions d’abonnés, Lil Miquela représenterait donc le futur des influenceurs via les réseaux sociaux.

Selected by PROMOSTYL En 2018, Olivier Rousteing avait, lui, décidé de mettre en scène Margot, Shudu et Zhi, trois icônes virtuelles aux traits plus que parfaits, qui composaient alors sa « Balmain Army ». Un choix parfois critiqué, lorsque l’on sait que le directeur artistique prônait jusqu’alors la diversité des mannequins dans l’industrie de la mode. Dans un univers plus étrange et déroutant, Balenciaga avait, la même année, opté pour des mannequins virtuels élastiques, démunis de colonne vertébrale, pouvant se contorsionner à l’infini… Si la performance souligne nos progrès exceptionnels en image de synthèse et en intelligence artificielle, on peut s’interroger quant à l’avenir des égéries réelles. Les humains ne deviendront-ils pas un peu fades et sans intérêt face aux physiques sans défaut créés par informatique ?

Selected by PROMOSTYLSi les mannequins virtuels sont encore peu utilisés pour défiler, les marques misent sur le numérique pour proposer une expérience retail toujours plus inédite et audacieuse. Le 11 octobre dernier, Niki Killick a ouvert le premier magasin de réalité augmentée à Melbourne. Grâce à l’application Eyejack, la collection de la designer australienne prend littéralement vie, dans une atmosphère psychédélique. « J’ai passé beaucoup de temps à essayer de comprendre comment intégrer réellement la technologie […] à une expérience plus conviviale. […] Essayer de trouver comment traduire les frontières entre les vêtements physiques et la mode dans le monde réel, avec une expérience numérique. » expliquait Niki Killick. Jamais à cours de créativité, l’univers de la mode semble prêt à relever de nouveaux défis, fusionnant aujourd’hui mondes réel et virtuel.

Selected by PROMOSTYL



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TRENDS

“Hairaan Hua” Coke Studio 12 Taken Down Over Alleged Copy Right Claim



KARACHI/LAHORE: 
“Hairaan Hua” Coke Studio 12 Taken Down Over Alleged Copy Right Claim, A lot more than something has gone wrong with Coke Studio 12. After managing to resolve an almost irreconcilable copyrights matter with EMI Pakistan, Rohail Hyatt and the Coca Cola Company has landed in hot waters once again.
Sanam Marvi’s first song for season 12 has been taken off YouTube days after it’s release. If you try to click on the video thumbnail available on Coke Studio’s older Twitter posts, you’ll get an automated response.”This video is no longer available due to a copyright claim by Abida Parveen.” The video has also been removed from YouTube.

 
While representatives of Coke Studio could not be reached for a comment on this possible infringement claim, Abida Parveen’s representative confirmed the news. ” Abida Parveen is travelling out of the country at the moment but the claim is true. Something in this sort was in the process,” a representative told The Express Tribune on behalf of the singer.
It is pertinent to mention here that earlier this week Abrarul Haque’s Billo was also removed from YouTube. While Shuja Haider and Rachel Viccaji’s Saiyaan was also taken off YouTube briefly after a copyright strike by EMI Pakistan.



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LOOK

Micheal Ward & Stephen Odubola: The Stars Of Blue Story Are Made Men

As the rain hits the roof of a photography studio on an industrial estate in South East London, two young British actors are planning to take over the world. Stephen Odubola is trying to persuade Micheal Ward that he should move to Los Angeles. Like any good British chat, it starts with the weather, but this is no small talk.“You will love it. The weather is good there and it’s like the home of the film industry, Hollywood’s there. It’s where you want to be,” he says.“I need to go there first,” replies Ward. “I need to go and see if it’s LA or New York. I might not like it, but I feel like I was destined to be in America.”The talk of destiny is catching. “I see this film as being the first step there. I know I’m on a bigger track to where I want to be. That’s the goal,” says Odubola.“One hundred per cent,” says Ward. “It’s every actor’s dream to end up in Hollywood. I know for a fact that everything’s going to be coming soon.”When you learn that both actors are precisely one film into their acting careers, it could sound arrogant; they’re not only plotting a move to America, but plan to let LA and New York fight it out for their affections. But this is no ordinary film, and these are no ordinary actors. OUTFIT CREDITS | (LEFT) Suit: Edward Sexton, Roll Neck: Reiss, Shoes: Grenson, Watch: Model’s Own (RIGHT) Suit And Pocket Square: Edward Sexton, Roll Neck: Daks, Trainers: Veja, Watch: Model’s Own They are joint leads in Blue Story, the tale of two schoolboy pals, Timmy (Odubola) and Marco (Ward), who live on council estates in different parts of South London – Deptford and Peckham – and whose lives become complicated, to say the least, by a postcode war between gangs in the two districts.The film – also a first for writer-director, Rapman, aka Andrew Onwubolu, who based it on his own childhood in Deptford – is gathering heat faster than an asteroid entering Earth’s atmosphere. It might just be the most significant British picture of 2019, and these men are its undisputed champions. So a little confidence is allowed.“We like to describe it as a modern Romeo and Juliet,” says Ward, referring to Rapman’s ‘signature’ rap narration of the film which gives it a Shakespearean flavour. “But instead of a love between a male and a female, it’s a love between brothers. The rapping gives it a USP. This is history. It’s going to be the first of its kind and it’s going to do numbers.”Almost from nowhere, the three men are gatecrashing the bigtime. Almost. Rapman made his name with the popular three-part YouTube drama Shiro’s Story before being taken under Jay-Z’s Roc Nation umbrella and having this, his first feature, released by Paramount. Our stars have put the work in, too, having caught the acting bug at school and studying the art ever since. Each had exactly the same simple but effective philosophy: find something they enjoy and make a living from it.For Odubola, 23, this is a screen debut of any kind, but Ward, 24, has a few lines on his IMDb page. After signing for an agency, he entered “a kind of spiral” of auditions, small roles, short films and music videos before landing his first TV show, Netflix horror The A-List, in 2018.A year later, he joined the cast of long-running and mightily-acclaimed Top Boy for its third season. Another Netflix show, it’s set on a fictional housing estate in East London, is backed by Drake and stars Kane Robinson (aka Kano) and Ashley Walters (aka Asher D). It deals with crime but is about a great deal more. The same goes for Blue Story. OUTFIT CREDITS | (LEFT) Suit: Thom Sweeney, Shirt: Gieves & Hawkes, Watch: Model’s Own (RIGHT) Suit: Richard James, Zipped Top: Topman, Vest: David Gandy @ Marks & Spencer, Chain: Gucci, Watch: Model’s OwnThere’s crime. There’s violence, too. But at its heart of the film you’ll find those age-old themes of loyalty (merited and misplaced), love, pride, revenge, hope, friendship, the trials of youth and masculinity. It’s universal, but also specific to the people who live in that world. People like Odubola, who grew up on a council estate in Kennington, also in South London.“It was similar to how Timmy grew up,” he says. “It was tough, man. You get exposed to a lot of things and, as a teenager, you’re still trying to find yourself as a person, as a man. I can relate to quite a lot in the story. Certain scenes and feelings like friendship, peer pressure, mental health states. Not a lot of people really get our stories, so I’m just happy that this reflects the life of so many people growing up on a council estate.Odubola is more softly spoken than Ward, but on this subject he speaks with intent and clarity. These communities are a large, vibrant and crucial part of British culture and yet are painted negatively by the majority of both the press and the arts. See a young black man in the news and there’s a good chance he’ll be a victim or a perpetrator of a crime. Or he might be a ‘cocky’ footballer splashing his money on ridiculous things like, say, a nice house for his mum.“When I decided I wanted to be an actor, I didn’t really want to be in anything related to urban life because a lot of people don’t portray it properly. When I read the script I saw a real story that hasn’t been told before. I had to get involved because it’s the truth. That’s all I wanted to be involved in, the truth.” Ward was born in Jamaica before moving to the leafy (well, leafy-ish) East London suburban town of Romford as a child. Even he – who would be seen through the same prejudicial lens as any young black man – had a skewed view of Blue Story’s world.“The media like to demonise these people,” he says. “They don’t know what leads them to be in these situations or the aftermath. I didn’t even know. The script was a revelation to me. I used to think, ‘What’s wrong with these people?’ But you don’t understand. That’s why these stories are so important: it’s educating me, it’s educating you.”The violence and dangers faced by, in particular, young black men in working class areas can’t be ignored. They certainly aren’t in Blue Story. Violent acts are central to the plot and, as tends to happen with such acts, things don’t turn out well. With the nation in what feels like a fug of depression and optimism in short supply, it makes you wonder if things can get any better – if there is hope out there for young people surrounded by pressures, prejudice and risks. The good news is, both Ward and Odubola are brimming with hope. Confidence of youth meets confidence in youth.“A thousand per cent,” says Ward. “I believe we’re going to a place where there are a lot more opportunities and directions that people can see themselves going in. People used to think, ‘I want to be on TV’. Now it could be director, cameraman. People from our world don’t realise these opportunities are out there, but now we can ask friends, ‘Have you ever thought about being a sound guy? A writer?”“There are ways of stimulating someone’s mind to think wider and I feel like this is the time for it. There’s more content being made, which means more opportunities.”The two are certainly making the most of the opportunities afforded by Blue Story. They’ve attended awards shows, premieres and now they’re on a photoshoot wearing designer suits. Ward has been modelling since his teens, but they both look at home here. Slender, athletic, good-looking men, pieces hang on them like they’re supposed to hang. But the clothes we’ve put them in today aren’t their usual style. Odubola loves a potent sweatshirt, while Ward likes his clothes with volume, “like my personality”.“One of my favourite outfits I’ve worn was at the BET Awards,” he says. “It was this pink Casablanca look. Double denim. It was sick, man.”At the same time, they’re also very aware that opportunities for black actors to get good roles are limited, and that this problem is exacerbated if you’re working class. Any success for the stars and makers of things like Blue Story and Top Boy has to be cherished.Not that the arts or any other industry should bear the weight of trying to even up society; we have a government that’s supposed to do that. But, as both men point out, a film like this can lead to a greater understanding of issues such as knife crime, which in London reached a nine-year high in 2019. OUTFIT CREDITS | Jacket: John Lewis, Jumper: Arket, Trousers: Reiss, Hat: Lock & Co, Shoes: Grenson“I feel like the film is going to create awareness and might change some people’s lives,” says Odubola. “There are factors that we as filmmakers can’t control. Communities need to step up and create more opportunities for these young kids as well.”Ward adds: “It’s not going to happen overnight. When the movie comes out, maybe 10 people out of 1,000 might take this message seriously and put down the knives or look for opportunities, but at least that’s 10. And in another year it could be another 10. All those tens would add up. I know for a fact that we’re going to improve because we can’t carry on going like this. It’s ridiculous.“Masculinity is definitely an issue. In some situations, it could all be solved by communication, being mature and just letting your pride go. A lot of men don’t like to do that. That’s understandable, but at the same time, was it all worth it?”With such acting chops, Ward and Odubola’s confidence in their own futures is well placed. You can only imagine a very sharp upward curve in their career trajectories and fame levels once Blue Story, as Ward says, does numbers. After that? OUTFIT CREDITS | (LEFT) Coat: Scabal, Knitwear: Edward Sexton, Trousers: Reiss, Scarf: Lou Dalton, Trainers: Harry’s of London, Sunglasses: Oliver Spencer (RIGHT) Coat: Scabal, Shirt: Drakes, Knitwear: Dashing Tweeds, Frames: Ace & Tate“I want to emulate Kevin Hart,” says Ward. “He’s inspired me. What he’s done, created history, that’s what I’m trying to do. I’m trying to be a legend. The only way you can be a legend is if you create history.”“I’d love to go into different parts of the industry, to direct maybe. I’d love to produce a film, have my name on big projects. Those are all aspirations that I know I’ll be able to achieve, but all in due time. I see the vision and it’s just about chasing that.”Aiming low again, then.“Talking about being a legend,” says Odubola, “I don’t know what cause I’d want to help, but eventually, when I’m at a certain place I’d want to branch out and help other people. If you’ve got power and you’ve got a platform you might as well use it for the advantage of other people.” Confidence is a powerful thing: confidence in yourself and in others. It can nudge us forward when it’s easier to stand still or retreat. It can lead to great things, it can lead to stupid things, but it does at least make us do those things.It’s a good bet that these men will do things that will breed confidence in others who, in turn, will do things that breed confidence and so on. Then, maybe, a different circle can begin.Blue Story (@BlueStoryMovie, @ParamountUK) is in cinemas November 22.Credits Photographer: Kirk TrumanArt direction: Luke SampsonStylist: Sarah Ann MurrayStylist assistants: Bethany Parkinson and Jess GwynethGrooming: Keshia East



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LIFE STYLE

Luxury Update II – British School of Fashion



01 Feb Luxury Update II

British School of Fashion Luxury students assist at the Luxury Update eventOn Thursday 24 January, the British School of Fashion at Glasgow Caledonian University in London hosted the second ever ‘Luxury Update’ event.

The intimate networking event for the luxury sector once again provided a unique opportunity for professionals to mix, network and reflect on the latest insights from global luxury conferences.

Guests networking in the reception area at ME HotelOver 60 representatives from a diverse range of brands came together for a talk from luxury expert and Director of the British School of Fashion, Tim Jackson, about the latest issues facing the luxury industry.

The beautiful and dynamic venue of the ME Hotel in central London provided the perfect backdrop to consider pressing but exciting developments around technology including Artificial Intelligence and Avatar Marketing.

Tim Jackson delivers Luxury Update digest Tim drew upon content from the 2018 New York Times conference on luxury in his insightful and thought-provoking talk before guests gathered on the Rooftop Radio bar for further networking and discussion. Grey Goose supported the evening with a fabulous range of alcoholic and non-alcoholic cocktails!

Representatives from over 60 brands in attendanceTim commented: “It’s great to see our regular friends and colleagues and also a lot of new brands joining the event including Harrods, IBM, Chanel and Landsec.

“It’s exciting to have such a diverse range of sectors from real estate and finance to brands and technology.

“Luxury Update provides a great opportunity for some students to network with industry while helping in managing this exciting event. Once again, they were fantastic ambassadors for the British School of Fashion.”

More networking at the Rooftop Radio barThis event was a follow up to June 2017’s successful Luxury Update event at 11 Cadogan Gardens. Read more about the first event here.

Marcus Freeman (MBA Luxury Brand Management) said: “I enjoyed the night very much and really appreciate the opportunity to meet so many people (from industry).”

Tim Jackson with guests



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BRAND COLLABORATION

SHANGHAI FASHION WEEK : LES TENDANCES FEMMES SS20 À CONNAÎTRE

SHANGHAI FASHION WEEK : LES TENDANCES FEMMES SS20 À CONNAÎTRE

Dénicheur de talents et expert en matière de nouvelles tendances, PROMOSTYL commente et analyse les dernières tendances SS20 présentés par les marques chinoises lors de la Fashion Week de Shanghai. Inspirations, pièces phares et détails clé : passage en revue de ces collections à l’influence confidentielle mais toutefois (très) certaine.

TRANSPARENCES
Cette saison, les créateurs jouent avec des transparences à base de tissus de tulle, d’organza, de voile ou de gaze pour mettre en valeur des silhouettes ultra féminines grâces à des volumes fluides. Les tissus semblent emplis d’air, transformant les robes en objets flottants mystérieux, laissant les sous-vêtements apparaître et jouant avec la nudité.

Selected by PROMOSTYL LE TRENCH
Le trench a été un succès tout au long de la saison SS20; en cours de renouvellement, déconstruit ou ré-assemblé dans différents looks. Ce vêtement technique à l’origine pour les officiers de l’armée est désormais doté d’une touche de modernité, brouillant les codes pour mettre en valeur des silhouettes hybrides mêlant esthétique: grâce à des motifs en soie, en nylon ou à carreaux et en combinant des volumes inhabituels avec des ceintures surdimensionnées. Un must-have unisexe ultra-moderne de la Fashion Week de Shanghai ainsi que ses homologues.

Selected by PROMOSTYL EXTRA GRANDES ÉPAULES DES ANNÉES 80
Les costumes de style 80 de la marque Renown reviennent cette saison et présentent des épaules rembourrées spectaculaires et puissantes, exagérant les proportions sur des silhouettes fines. Une garde-robe féminine très esthétique qui donne du pouvoir à des volumes gigantesques jouant avec des tissus texturés tels que le lurex, le coton robuste, des mélanges de lin et des motifs audacieux à franges.

Selected by PROMOSTYL SATIN CLAIR
Le satin d’été célèbre la féminité grâce aux reflets de lumière et aux couleurs pastel, aux costumes fluides et délicats, au renouveau des looks kimono modernes et même aux silhouettes hybrides de style pyjama. Un jeu de formes étudié à la fois minces et fluides qui allient confort et brillance éclatante.

Selected by PROMOSTYL SHINY TOTAL LOOKS
Des effets scintillants se succèdent cette saison, mettant en vedette paillettes, nylons brillants et satins ultra-luisants pour jouer avec la réflexion de la lumière et les effets visuels. Il crée une impulsion futuriste sur les silhouettes féminines ou sportives, comme une boule disco hybride ou une créature futuriste.

Selected by PROMOSTYL FUNNY MIX & MATCH
Le mélange d’esthétique, de motifs, de tissus et de coupes est une tendance marquante de la saison; combinant des motifs de blocs de couleurs arty avec du tulle à volants ou des vêtements de style parka de grande taille. Il s’agit d’une combinaison de plusieurs pièces pour créer des silhouettes arty ultra-cool.

Selected by PROMOSTYL EPAULES DÉGAGÉES
Cette saison, les stylistes veulent des épaules dégagées, mettant en valeur une féminité exquise et jouant avec le volume. Les tissus enveloppent le corps grâce à des éléments élastiques ou boudinés, laissant le volume ressortir sur les manches pour rendre les silhouettes plus romantiques.

Selected by PROMOSTYL DETAILS PLUMES
Des plumes moelleuses et froncées viennent sur les vêtements, décorant les silhouettes avec des cols à collerette chez Yun MoonMoon, ou embellissant les finitions des vêtements et venant sous forme de magnifiques broderies sur les robes. Des femmes semblables à des cygnes qui présentent une romance moderne en mélangeant plumes, pantalons et chaussures en cuir épais.

Selected by PROMOSTYL SPORT CHIC
Les détails techniques sportifs et les coupes influencent les silhouettes cette saison, avec des robes de soirée torsadées en tissus élastiques et soufflés, ainsi que des slogans sur des cordons et élastiques. Les bas nylon, les jersey de coton et les tissus d’élasthanne renouvellent les looks habillés en pièces confortables coupées comme du jogging.

Selected by PROMOSTYL FILET DE PÊCHE
Une touche moderne cette saison met en vedette des robes ainsi que des pantalons en résille. Il s’agit de décorer des vêtements avec des ornements suspendus à effet frangé ou de combiner des motifs de fleurs roses incorporés pour un style street-couture.

Selected by PROMOSTYL



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LOOK

Depop: How To Sell Your Clothes And Make Money

The desire to make some extra cash, combined with our collective conscience poking at us to be more sustainable, has led to a boom in the reselling market.Take Depop. The peer-to-peer shopping app’s $62m (£48m) investment is evidence the demand is firmly there for the industry to continue to grow.Of course, reselling is nothing new – eBay has been around for what seems like forever, and sites like StockX, which lets users resell hard-to-get products, have received huge backing in recent years. Depop’s niche, however, is that its demographic of millennials are after vintage, deadstock and everyday pieces more than they are, say, the latest buzz brand.Depop functions like most social media apps, allowing users to scour through results based on customised searches, hashtags and curated pages to find a bargain – much easier than going to the local vintage shop in the hope of finding something decent.For the buyer, one of the pros is dealing with people of a similar age and not a faceless organisation that just wants more money. Others enjoy knowing that they’re helping the seller, who, quite often, is getting rid of unwanted clothes to tide them over until payday, rather than build a business.That being said, for many, Depop has grown into a platform that has the potential to make them some real money. Some have utilised the platform so proficiently that they’ve built a full-on business out of selling clothes online.Harry Adorian (@adorjan) is one such person. He’s built a following of 10,000 people so far and prefers using Depop to sell his clothes over other sites. “eBay is such a big market for all ages and all countries, which makes it much harder to find trends. The market on Depop is much generally younger and cooler.”Thinking of getting into the game yourself? With the help of some of the site’s top sellers, we’ve pulled together the ultimate guide to selling on Depop successfully.How To Get Followers On DepopBe ActiveFor once, you shouldn’t feel guilty about endless scrolling. Being active on Depop can help you get your page noticed. When you’re not listing your unwanted gear, hunt around different communities on the site and follow profiles selling pieces similar to your own. Hop on the explore page too and see what’s catching the eye of the curators. This will help make your products as attractable as possible.Be NiceIt’s simple – and should be a given – but be polite. Adorian claims it’s one of the key things that sets his shop apart. “A massive way of growing is just to be really nice. Nice messages, be responsive, be understanding and be patient.’ @101vintagestore owner Kirsty – who boasts over 29,000 followers – agrees, saying she “values customer service highly” which has led to lots of repeat customers.Get ConsistentHow your image is photographed is everything. Ask different people and they’ll give you opposing answers for what works – on body, flat lay, bright colours, minimalism. Truth is, there’s no recipe for success. However, you can up your chances by ensuring that your product is framed clearly so it’s easy to digest on the first glance. Aim to create a consistent style so that your shop window – your profile page, in this case – looks neat and professional. This will also help you get to the ‘explore’ page, which places your products in front of thousands of potential buyers.How To Sell On DepopOptimise Your CaptionThe image of what’s up for grabs does the talking, but the caption will deliver it to the right people. The key is not to oversell – use terms that people are going to search for first like ‘vintage’ or ‘pre-loved’, and be informative. Often people will search for the size from the outset so make sure you’re specific on how the piece fits and add any other notes you’d want to know if you were buying it.Upload In Bulk@JoeBuckVintage, now a Depop ‘Top Seller’, explains that he has seen success in “refreshing items as much as you can and listing in large quantities”.The idea here is that you’ve provided a selection for visitors once they’ve hit your profile. Think of your page as a physical store – you wouldn’t bank on one piece working for everyone, so give options and be willing to package them into a deal should someone be interested in purchasing more than one piece. If you want to be extra savvy with bulk uploading, take advantage of when Depop offers zero selling fees to save extra cash.Be Clever With TimingsStreetwear seller Koye (@mojokojo) says that the evening (between 7-9pm) is the perfect time for selling, and pretty much everyone agrees. It’s a common-sense call that’s easy to overlook – list your products when you’ve got the biggest audience possible. In the evening, you have a captive audience of people back from work and school and are most likely scrolling.Harry Adorian uploads “once a week, usually on a Thursday evening, or just before payday” to service people when they can afford it. Being consistent seems to work for @101vintagestore too. “Evening uploads every day, 15+ items and ideally more – and a good mix of price points and styles for everyone” is a good place to start.Be flexibleThat sweatshirt might have once cost you £60, but sadly, you have to be honest with yourself when it comes to reselling. Don’t see it is a bad thing – price your products realistically and you’ll create more demand than by starting too high and scaring people off. Kirsty of @101vintagestore agrees. “Everyone seems to look to sell the big brands and loud items at high prices, but we can’t all afford a £100 sweatshirt. Look to source basic items that everyone wants to wear and that you can price low.”Package Things WellYour efforts shouldn’t stop as soon as the money hits your PayPal account. If you want people to review you highly and look to you again for more products, take extra care to package your product neatly and make it something they’re excited to open. If you can, stay as sustainable as the clothes you’re shipping by packaging them in biodegradable or recyclable packing. And follow Adorian’s lead and encourage your buyer to do the same if they’re looking to sell something.



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CHEER UP

Instagram Outfits Recap: Only The Best



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Craft beer elit seitan exercitation, photo booth et 8-bit kale chips proident chillwave deep v laborum. Aliquip veniam delectus
SHANE DOE
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Paris Fashion Week
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Red flowy dress
Close-up of dress top
Leaning on the old door
Posing by the plants
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Shoot For The Stars
More off this less hello salamander lied porpoise much over tightly circa horse taped so innocuously outside crud mightily rigorous negative one inside gorilla and drew humbly shot tortoise inside opaquely. Crud much unstinting violently pessimistically far camel inanimately then more and about.
Forbade panther desolately iguanodon alas in goodness goodness re-laid when wishful but yet and trim hey went the tamarin some during obsessively into far notwithstanding then more.
Crud much unstinting violently pessimistically far camel inanimately a remade dove disagreed hellish one concisely before with this erotic frivolous.
The post Instagram Outfits Recap: Only The Best appeared first on Fashion.



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LUST FOR LIFE

Tommy Cash and Anna-Lisa Himma Interview



The male and female artistic partnership is as old as time. There was Simone de Beauvoir and Jean-Paul Sartre, Frida Kahlo and Diego Rivera, Marina Abramović and Ulay, just to name a few. Now, rap artist Tommy Cash and creative director Anna-Lisa Himma, the powerhouse team out of Tallinn, Estonia, are looking to make their mark on pop culture history.
The duo is the brain center behind Cash’s mind-blowing rap videos, a fitting partnership given their close proximity throughout their childhood. “We were born in the hospital five days apart and grew up in the same area,” says Himma. “We actually spent one night in the nursery together.”
VALENTINOPAUL SMITHHowever, it wasn’t until 2014 when Cash was shooting the video for his record Euroz Dollaz Yeniz that he met Himma, a producer working on set. “I had crazy beef with the director because I was adding so many ideas and he didn’t want to trust me,” says Cash. “After this crazy fight with the team, I decided it was time for me to do my own videos. At first, we had maybe 300 euros to spend, and Anna was helping me. It just grew slowly.”
The pair’s first video together was “Leave Me Alone” in 2015, which depicts Cash in a dilapidated, presumably Eastern European countryside setting, where he’s bathing, working out and, later, headbanging in the backseat of a car as an elderly woman looks on peeling potatoes. Now the pair has a bigger budget with which to explore their surrealist ideas and more opportunities to create the dystopian reality on which to layer Cash’s beats. His 2018 video “Pussy Money Weed,” which clocks over 7 million views on YouTube, features Cash and his crew in wheelchairs, as dancers (some lacking limbs) circle around him. The equally subversive, slightly creepy “Little Molly” features Cash’s face on every person in every scene, from little girls playing the piano to a bride and groom posing for a photo. How he and Himma’s minds meet on these works is truly a study in the art of collaboration.
On Himma: FEAR OF GOD Logo-Appliquéd Cotton Oversized T-Shirt / Faded Oversized Work Jacket / Cotton Denim & Tech Fabric Work Pants / Men’s 101 Backless Canvas Slip-On Sneakers. On Cash: FEAR OF GOD Iridescent Tech-Twill Oversized Hoodie / SIMILAR: Iridescent Tech-Twill Drawstring Jogger Pants / FEAR OF GOD Men’s 101 Suede Sneakers“The reason we work well together is that we’re very different in how we approach the process,” says Himma. “He’ll come to me and say, ‘I see a scene where someone’s face is in a woman’s crotch.’ He has these crazy ideas and I’m the one who can create the world and tie it all together. Sometimes I’m his filter. I’ll say, ‘That’s good, that’s not so good.’ We buttheads a lot, too.”
While the pair draws inspiration in various ways (Cash might feel influenced by a juicy hamburger, or the way an overweight police officer stands on the street), the one commonality they share is a love for old-school music videos and the MTV they grew up watching. Cash cites Michael Jackson as truly owning the music video genre. “No one can top Michael,” he says. “His creativity was so crazy. Watching his videos feels like you’re watching a play.”
BODE Lace-Inset Linen Camp Shirt / Moire Self-Tie TrousersAs Cash works on his latest album, there will, no doubt, be more artistic endeavors for him and Himma. As to his thoughts on his career trajectory, the sky’s the limit. “I’m working harder than ever to reach my goals and be closer to Michael Jackson,” he says. “I want to make videos that are good as his, or maybe even better. Who knows?”



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